Things you should know before importing a Lightroom Catalog into Capture One This familiarity makes it easy to import your existing Lightroom Catalog into a new Capture One Catalog so that you can continue working on your image collection right away. In Capture One 20 (13.1.0) the experience of importing Lightroom Catalogs has become even smoother owing to better accuracy.īoth Capture One and Lightroom software programs work in a similar way. All changes to your images are made in a non-destructive fashion as the edits are saved in a database while keeping track of where your original photos are stored. Both sliders are updated when new white balance adjustments are made.Capture One allows importing Catalogs of images with adjustments from Lightroom Classic. The Tint slider also displays the setting selected by the camera to start with and can be fine-tuned to remove green and magenta tints. If you set the image's color temperature to something lower, then the image would become cooler/bluer, to counter the lower (hot/red) temperature of a light source. The color temperature of the scene would be around 5500K. So, imagine that you have an image shot during sunny noon. This could be confusing, as the slider indicates the effect regarding what that slider does to the image, as opposed to the color temperature of the source of light. Moving the slider to the left will result in a cooler (blue) appearance. Moving the slider to the right will achieve a warmer (yellow) look. The scale on the slider represents the actual Kelvin value, which is subject to slight variations from camera to camera. The Kelvin slider initially displays the color temperature selected by the camera and can be overridden within the range of 800 to 14000 degrees Kelvin. As a result, it is not enabled as one of the default settings of the Auto Adjust option (available from the Adjustments menu or from the toolbar). Although it is useful for a quick adjustment, it should be considered as an initial step. The Auto Adjust option is included in the tool title bar. Alternatively, you can click on any white surface that is not clipped. When accuracy is paramount, the picker (eyedropper) can be used on a gray card or reference chart. The latter refers to the white balance used by the camera at the time the image was captured, while the former is displayed when the user makes a new white balance adjustment. Simply select the most appropriate, according to the scene. In addition, the Mode menu can display Custom and Shot options. These represent the most commonly encountered light sources (i.e., Daylight, Flash, Tungsten, and Fluorescent). Even then Capture One makes identical copies to create a new image file instead.Ĭapture One's White Balance tool is located within the Color tool tab and has several controls, including the Auto Adjust option, a number of presets, a picker (eyedropper), and two sliders which are meant to be used to fine-tune the results if necessary.įour White Balance presets can be found under the Mode fly-out menu. Like every other tool in Capture One, altering the white balance has no effect on your source files until you go to process them. When it is necessary to adjust the white balance, Capture One has a dedicated tool that is flexible and easy to use. ![]() In general, it is good practice to set an appropriate white balance setting or adopt an in-camera preset for JPEG’s based on your creative intent.Īlternatively, using a gray card or reference target for custom white balance settings, either at the time in-camera or retrospectively with Capture One, can simplify and even accelerate your workflow, helping you achieve accurate and consistent results with both RAW and JPEG files. Although Capture One can apply some adjustments retrospectively to JPEGs using the camera's auto white balance setting, there is far less flexibility with previously processed files. However, as white balance is interpreted in-camera at the time of capture, some care is required if you are capturing JPEGs. With RAW files, the color cast can be removed by neutralizing or "balancing” color values in Capture One. It is this response that results in a color cast in your images. ![]() The human visual system automatically compensates for the color of light from various sources and it attempts to make the light white in color even when those sources are mixed. With camera sensors, each model has its own response to color that is relative to the ICC profile selected in Capture One's Base Characteristics panel and that varies under different lighting conditions.
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